There has not been a time in recent memory that a modern novel has held me captivated to such an extent as Ellis' Lunar Park. Ellis has taken the first person narrative in the novel to a new level, cleverly mixing realism and the supernatural, confessional writing with celebrity gossip and urbane, suburban humour with the utterly macabre. The author's talent for writing terror is without question, i.e., American Psycho and particularly some of the short stories in The Informers, however, Ellis' true talent is his ability to satirize modern western culture, pointing out its inconsistencies, hypocrisies and insanities, revealing the irony in our values and making his observations seem very funny, uncomfortably funny. Lunar Park is horror in the suburbs with a humorous twist, yet at the same time, it is a serious and moving portrayal of drug use, personal loneliness and the dysfunctional modern family.
Ellis begins the tale in a confessional style, giving the reader an inside look at his instant success with the novel Less than Zero, and his rocket ride into celebrity, including all the debasement - cocaine, orgies, literary groupies, twenty-thousand a week condos in the Hampton's - that one associates with major rock stars. Ellis did become a literary sensation, the alleged spokesperson for the young debauched 80's generation. The story of his last book tour is particularly painful as he was stoned and plastered most of the time. His father dies in 1992, and his world really crashes, when his ex-girlfriend, movie star, informs him that she's pregnant with his child. Of course he denies responsibility, blaming another man, but the tests proof he's the father, and eventually he marries her as she whisks him off to the suburbs to save him from himself, with promises of sobriety.
Everything seems to going fine, writing a new book, a teaching job at the local Arts college, except he doesn't get along with his 11 year old son, he and his wife are in marriage counselling, (he sleeps in the spare room) and he is trying to have an affair with one of his students. At a Halloween party at their home, he packs his nose with a drug store, slugs down the vodka and attempts to seduce his student in the bathroom, and suddenly strange things start to occur. His stepdaughter's robotic toy bird becomes nasty, a man shows up to the party looking exactly like Patrick Bateman, the famous serial killer in his novel, American Psycho, and the lights in his home begin to do strange things. Is it the drugs and alcohol making him paranoid or something more sinister? In fact the novel just gets stranger and stranger until poor Ellis free falls almost into oblivion.
What I found most enjoyable about this novel was the fine line Ellis walked between the incredible and so-called reality (are these events really happening) and his caustic observations on suburban middle-class values. These observations are curiously disturbing and hilarious at the same time - he knows how to write black comedy.
I believe this is Bret Easton Ellis' best work to date.
Monday, 8 July 2019
Sunday, 7 July 2019
Marc Chagall- Icon of Modernism - Review
The reader turns the first page of this little book to see the 1929 oil on canvas painting, "Lovers" by Marc Chagall. The painting depicts a man and woman seated and embracing; the woman's head turned inward on the man's breast, while the man, an expression of calm and contentment, peers upward, watching a winged angel flying overhead, across a deep purple sky. The painting has the deep and rich signature colour of all Chagall's work, though lacks the intense emotional suffering and ambivalence that makes up so much of his oeuvre, however this painting evokes a mystical love, a true love which, in my opinion, expresses the relationship between the artist and his beautiful wife, Bella.
As part of the Jewish Encounter project, Marc Chagall by Jonathan Wilson is one contribution devoted to the promotion of Jewish literature, culture, and ideas. (One can find all these contributions here on Amazon.)
It can be observed that most of Chagall's work, according to the author, is an expression of his philosophy, his religious sensibility if you will, in the form of the "literalization of metaphors", deeply grounded in the mystical and symbolic Hasidic world and Yiddish folktales, which include in their writings the "repository of flying animals and miraculous events." (P. 13)
It is impossible to label Chagall's work as "Expressionism", but the representation of an acute imagination, coloured in fantasy, depicting highly charged religious symbols, including in several works, Christs Crucifixion in a variety of contexts. What I love about Chagall is the viewer is drawn into the work by its striking colour and busy subject matter and is compelled to study it, because the meaning of the painting must be discovered as it is not apparent on a superficial viewing.
Wilson does a wonderful job of narrating Chagall's life in terms of the major events that the artist experienced, spanning through the Russian revolution, two world wars, the Holocaust and the establishment of the State of Israel. Wilson suggests that in viewing Chagall's paintings against the backdrop of these major historical events will see the artist's work as a response to them, and his personal inner conflict between his "Jewishness" and his focus on Christ's Crucifixion, and also his attempt at secularism in many of his paintings.
My favourite paintings by the artist are his various representations of love that display an ethereal, mystical quality, a sublimeness that to me captures love in their most revealing forms, as Wilson comments,
"Chagall's vision of love, so appealing to the human soul, frequently involves a merging of two faces, or bodies, into one. In this regard he is Platonic, as his figures pursue their other halves in an apparent longing to become whole again. Over and again he paints the myth that Aristophanes recounts in The Symposium." (P.174)
Chagall's life Wilson suggests was an attempt through his art at the reconciliation between two worlds, a genuine effort universalizing or merging opposites, he writes,
"In his paintings, past and present, dream and reality, rabbi and clown, secular and observant, revolutionary and Jew, Jesus and Elijah...all commingle and merge in a world where history and geography but also the laws of physics and nature have been suspended." (P. 210)
Wilson's Marc Chagall is an erudite biography and insightful critical work. Although relatively short in length, manages to capture the artist who is considered along with Picasso and Matisse, one of the icons of Modernism.
As part of the Jewish Encounter project, Marc Chagall by Jonathan Wilson is one contribution devoted to the promotion of Jewish literature, culture, and ideas. (One can find all these contributions here on Amazon.)
It can be observed that most of Chagall's work, according to the author, is an expression of his philosophy, his religious sensibility if you will, in the form of the "literalization of metaphors", deeply grounded in the mystical and symbolic Hasidic world and Yiddish folktales, which include in their writings the "repository of flying animals and miraculous events." (P. 13)
It is impossible to label Chagall's work as "Expressionism", but the representation of an acute imagination, coloured in fantasy, depicting highly charged religious symbols, including in several works, Christs Crucifixion in a variety of contexts. What I love about Chagall is the viewer is drawn into the work by its striking colour and busy subject matter and is compelled to study it, because the meaning of the painting must be discovered as it is not apparent on a superficial viewing.
Wilson does a wonderful job of narrating Chagall's life in terms of the major events that the artist experienced, spanning through the Russian revolution, two world wars, the Holocaust and the establishment of the State of Israel. Wilson suggests that in viewing Chagall's paintings against the backdrop of these major historical events will see the artist's work as a response to them, and his personal inner conflict between his "Jewishness" and his focus on Christ's Crucifixion, and also his attempt at secularism in many of his paintings.
My favourite paintings by the artist are his various representations of love that display an ethereal, mystical quality, a sublimeness that to me captures love in their most revealing forms, as Wilson comments,
"Chagall's vision of love, so appealing to the human soul, frequently involves a merging of two faces, or bodies, into one. In this regard he is Platonic, as his figures pursue their other halves in an apparent longing to become whole again. Over and again he paints the myth that Aristophanes recounts in The Symposium." (P.174)
Chagall's life Wilson suggests was an attempt through his art at the reconciliation between two worlds, a genuine effort universalizing or merging opposites, he writes,
"In his paintings, past and present, dream and reality, rabbi and clown, secular and observant, revolutionary and Jew, Jesus and Elijah...all commingle and merge in a world where history and geography but also the laws of physics and nature have been suspended." (P. 210)
Wilson's Marc Chagall is an erudite biography and insightful critical work. Although relatively short in length, manages to capture the artist who is considered along with Picasso and Matisse, one of the icons of Modernism.
Wednesday, 3 July 2019
'White'. Bret Easton Ellis – A Review
Perhaps
I should be honest from the beginning, a true confession of a type:
I've been a reader of Bret Easton Ellis since around 1986. Again,
maybe sounding like a geek, I have read every novel, and only a small
selection of magazine pieces over the last 30 years. It was in the
Sydney airport, after escaping from LA, that I came across Less Than
Zero on a corner newsstand, waiting for customs, to let me enter the
country. What brought me to this first published book, (Ellis was
only 21 years of age) had to be the title, mirroring my general self
worth, in 1986. From that point, never missed one of his texts. One
could well call me a 'completest'; this label applies to me when it
comes to this author.
When
passing a bookstore window, and seeing White displayed at the front,
walked right into the store and bought it. I was surprised, expecting
another novel, to find a memoir, an auto-biography..,this only made
me curious. The man's only in his 50's, a memoir? I thought grimly,
is he leaving us?
'White' is not necessarily a memoir in the modernist
vain of Nabokov's “Speak Memory” or Vidal's “Palimpsest”. It
is more a structured stream of consciousness; a light, humorous and
honest commentary on a writer's life so far; thoughts about art,
aesthetics vs. politics, and the ever growing moral authority of the
corporate system, including President Trump.
As
a Gen X'r, ( a term I despise) Ellis' Less than Zero, came to be
representative of a spoiled, educated, and the nihilistic youth of
the 80's. When you have everything, what do you have left but
relationships, and even they become toxic. The film adaptation
staring Robert Downey Jr., did capture the drug invested entitlement,
but left the audience with a little hope. The book does no such
thing. Ellis' memories of the time period in White, is different.
Anyone growing up in the 60's, 70's and 80's will relate to that time
he calls Empire.
Personally, I was much more curious about his time in
New York, when writing American Psycho, the context of his life, and
how Patrick Bateman came into being. Ellis does go into some depth
about this period, and the roller coaster of praise and death threats
this work spawned. He touches on Bateman many times throughout the
writing, and we come to realise, as a writer, this character was an
exploration of self. Rather than take this work literally, with 20/20
hindsight, American Psycho was simply a metaphor of the times. Greed,
materialism and pathological narcissism at its worse. I believe Bret
called it a “selfie on steroids”
Rather
than giving a blow by blow account of the entire book, Ellis' many
insightful commentaries on American society in present time, I must
make a few observations on his views on Twitter and the 2016
election, and Hollywood's neurotic, and, at times, fascistic response
to Donald Trump's win.
During
2017 and particularly 2018, people on the Left and the Right went
totally insane in the wake of Trump's win of the US presidency. Ellis
describes himself, as not so much apolitical, but refreshingly
“neutral” before, during and after the 2016 election. His long
time boyfriend is an avowed “socialist”, and like most of the
Hollywood establishment, the boy went into several mental breakdowns.
Many people lost friends. Are you pro-Trump or pro-democrat? The
divide became a dismal, echoing chasm, where friends were lost,
marriages failed, and MSM, who turned full-on conspiracy theorists.
Ellis gives many personal examples of the Hollywood crowd, losing it.
This is a time in history, for many that pay attention, who most
would rather forget.
Bret's
discussions on Aesthetics vs. moral authority in art generally, I
found the most interesting. What is style over substance? Have we
relented to moralism in art, teaching our audiences what it mean to
live a happy life? Is this a corporate effort to get everyone to
think the same, destroying all individual and dissenting voices? In
our time, is any dissenting voice simply wrong because it goes
against the prevailing narrative, posing as Truth? I loved these
discussions and his many examples in film.
Ellis'
discussions about Empire vs. post Empire, bordered on sentimentalism.
Illustrating Charlie Sheen's on-line fall from grace, and his
hedonistic revolt against the system, left me empty. However, his
discussion of Frank Sinatra as the last of the Empire's icons, hit
the mark.
I
believe the major question he poses in this text: Because of social
media, the divide in ridiculous political views, has discourse on art
and life being suppressed, in the realm of corporate/social media?
Are we being forced to have the same views on just about everything?
These
are excellent questions, and worth exploring in this Post-Empire
milieu.
Saturday, 29 June 2019
The Magpie Chronicles
Broken Wing
Our property has become a haven for
the hungry and rejected – fellows of the feathered variety.
This afternoon, “Broken Wing” made
her daily appearance – tapping on the back door for her daily feed.
As the Magpie's name suggests, she cannot fly, but rather waddles
across the grass like an old duck.
Amongst the trees in the back of the
yard is an ancient greenhouse, a ladder propped against it. At the
top, surrounded by thick leaves, is Broken Wing’s home.
Once the diligent bird is fed, she hops
off the porch, to then settle in a large bowl full of rain water, and
has her bath. She must love the water, because she spends at least 5 to
10 minutes, cleaning and cooing in delight. Finally satisfied, she
waddles in great haste across the grass, her left wing extended,
awkwardly stiff in place, to then climb the ladder, one rung at a
time. Once reaching the roof of the greenhouse, she nestles in the
shade of the foliage, preening, and hiding from the other birds.
Grandma
Since I have been staying at the family
home, particularly over the last week, my attention has been focused
on the birds. A wide variety of characters, really, these winged
creations have different demeanour's, and exceptional, intelligent
personalities. As said, Broken Wing’s daily visit has become
routine, edged now in my consciousness. The bird arrives for
breakfast and an early brunch, only two times a day - morning and
early afternoon. She has chosen these times because the light from
the sun is at its brightest, where she can see other Maggie’s
in the area, preventing an attack, bullied, stealing her food from
her beak: “Grandma” is entirely a different bird.
Our first encounter was several weeks
ago, which affected me, because she landed on the back porch with
great effort. (Bad landing) Once on the ground, she tried to jump-up
on the wooden walk-way, (10 centimetres high) and the old girl
tripped over, standing up-right swiftly, retaining her dignity. She
was not in good shape: feathers grey in colour and balding on one
side of her little head. I pinched a small morsel of raw beef and
tossed it, willy-nilly in her direction. The old bird walked over and
managed to get the food in her mouth – she did not fly away like
the others, but walked, bouncing side to side, disappearing under a
large bush.
Some weeks have passed.
As I sleep late working at night, there
had been no opportunity to see Grandma. Rising early one morning,
drinking a coffee at table, too early for me, grandma flew down to
the steps; did not recognize her at first, but saw her demeanour.
She’s changed, fluttering her wings (showing off) and her bald spot
had gone, now a deep black feather…
Today was a joy to see her, preening
herself, a new confidence and pride. A lovely old lady, banished from
the flock, perceived by the young ones to be of no use anymore, has
transformed into a strong, happy and healthy Magpie.
Broken Wing (Addendum)
Awoke this morning after a long sleep…
my habit is to write late into the night, only to rise too early
today in a terrible mood. Since a child, waking early, my “presence”
of mind is not at all in this world. Let me just say, it takes me
awhile to wake up. As my habit goes, rolled a cigarette, and
travelled outside the back, to see old Broken Wing waddle up for his
morning feed. Noticed that the bird is becoming more familiar with
me; not running away across the lawn in great haste towards her
ladder. Finished my smoke and retrieved the meat we share with the
flock. I opened the glass doors, to witness Broken Wing attacked by
an unknown, winged assailant. The attack, a dive-bomb assault,
nicking his good wing. The old bird panicked, waddling, zit-zagging
to the ladder, climbing one rung at a time. Because this is a pain
planet, an alien planet for most souls, Broken Wing missed his
breakfast. I know we will see her tomorrow, knowing she is safe in his
make-shift home on the roof in the ancient green house.
The Singing Duchess and
her Court
When a bird the size of a large cat
flies at great speed from the open sky in one’s direction, its wing
span wide and unknown, landing at the door in a split second of
sudden haste, anyone would take a step back. My first thought, “What
a magnificent creature.” She peeped in the window, making eye
contact with me with her single astonishing eye; I perceived
awareness in one of God’s creatures, truly a soul of a higher
order, and then, man, she began to sing.
The musical notes were loud and clear.
The bird sang a vast conglomeration of notes from a deep bass, to a
faultless, abnormally high falsetto. She was the largest Magpie ever
seen in Australia, as said, her wing span wide and impressive; so one
would understand my hesitancy, opening the door and feeding the large
bird. Looking again through the window, behind this majestic bird,
was a collection of followers – the Duke, her humble mate, a Lover,
young in appearance, and her royalty’s Son, a beautiful small
magpie not quite sure about the ways of the world.
Grabbed the meat and gathered enough
courage to open the sliding glass doors – the Duchess showed me her
appreciation with a song that lasted at least a minute. The volume of
her singing rivalled any bass players’ amplifier experienced in my
“off and on” musical career. The Duchess’s song resembled short
stints of Mozart, Beethoven; the sonata escapes me now and at the
time. I feed the Duchess a fair amount, throwing the meat in the air,
she, no worries, catching the morsel like a seasoned football player,
the ball landing in her hands while falling into the end zone from
eighty yards. Her Majesty was soon satisfied, flying into the clouds
with grace, leaving her Royal Court wondering what I, this astonished
human, would do next. Following “pecking order protocol”, first
tossed the Duke a large morsel, then the Lover, then the Son, etc.,
each leaving one at a time, chirping their thanks.
Mozart would walk most mornings,
because as he said, “a time of inspiration” – the song of the
birds.
Fighter Pilot aka
Butcher Bird
Awoke this morning after a long sleep…
my habit is to write late into the night, only to rise too early
today in a terrible mood. Since a child, waking early, my “presence”
of mind is long and far away. Let me just say, it takes me awhile to
come to full consciousness. As my habit goes, and has for many years,
rolled a cigarette, and travelled outside the back. My first
encounter with Fighter Pilot was while in a morning daze in a haze of
tobacco smoke, and happened like a streak of white light in the
corner of my eyes. (No, not hung-over) The smoke cleared and looking
up above in the eucalyptus tree, standing regally, was Fighter Pilot.
(See image below)
Fighter Pilot’s scientific genus is
Cracticus, a magpie-like bird called throughout Australasia as The
Butcher Bird. This is a misnomer; they are not only predators but
small songbirds: belonging to over 4000 other species found globally.
Fighter Pilot can sing, though he is reluctant at the moment, as he’s
enemies are all around him. Fighter Pilot’s true gift is flying.
Man, can this little bird fly!
Tossed him a good size portion and he
caught it and dropped a sliver. Swooping from nowhere, an unknown
magpie, stole the morsel. Well, old fighter would not suffer this
theft, shooting upward with military precision, knocked the bird,
taking the morsel in the air! An act never seen and probably never
will again.
Fighter Pilot only flies in on
occasion. When he does bless us with his presence, he now is
accompanied by his unassuming wife, wedging pieces of meat in the
fork of a branch in the eucalyptus tree, leaving this food only for
her.
Witnessed many great flyers over
lifetimes…Fighter Pilot is over and above, the Best.
Australian Crow Attack
Making coffee this morning, Grandma and
Broken-Wing were sitting on the railing of the porch. Once seeing me
through the glass door, both birds stood and began to sing, their
obvious song for breakfast. Opened the door and began throwing the
morsels in the air: an attempt to get them confidently flying again.
Grandma flew upwards to catch her meal, when a ferocious looking bird
swooped in grabbing the meat in the air; Grandma then landed and
waddled in fear under a bush. Broken-Wing followed suit, only finding
safe haven in a small space under the porch. Both birds were
absolutely terrified. The large bird returned, landing on the end of
the clothes line. I recognised the bird immediately – proper name
is Kurrawong, aka, the infamous Australian Crow.
This Crow on the clothes line was
particularly large – at least 20 inches tall, odd grey eyes with an
alien pupil, and large hackles (neck feathers) giving the crow a
definite hostile appearance. She opened her beak, screaming loudly –
‘arrrr, arr, arrrrrr’, sounding almost human. Decided to throw
her some meat, she adeptly flew in the air, catching it with graceful
ease. She landed on top of the green house when, from every direction
came several other crows all screaming, their large wings flapping,
creating a feeling of frantic-ness. There had to be at least ten
crows flying in circles, while others zit-zagged and hitting one
another – a cacophony of ‘arrrr, arrrr, arrrr’ ending in a
violent crescendo, and many landing on the roof above me. Curious as
to what kind of behaviour to expect, I began throwing several pieces
of food into the air, and each, in effortless dives and swoops, crows
caught the meat in flight, nothing at all hitting the ground. Once I
stopped feeding them, they disappeared as fast as they appeared –
only much later that afternoon, Grandma and Broken-Wing returned,
always looking sky-ward, prepared for another attack. I’m waiting
for their ominous return.
Bonnie and Clyde
The “Minor Bird” is endemic to
Australia and has been nick-named, “Noisy Minor” - a grey bird,
with a black head, orange-yellow beak and feet, a distinctive yellow
patch behind the eye and white tips on the tail feathers.
A small flock of Minor’s descended on
the property some months ago, breeding, claiming this new land was
now their territory, their home. The young have since left in search
for a territory of their own, leaving behind their parents. This last
remaining two of the flock, I have come to name, Bonnie and Clyde.
As many know of these iconic criminals, the
handsome Clyde acted as the muscle and Bonnie the beautiful and
distracting seductress. Bonnie would enter the bank, with her beauty
and unspoken charm, attracting the attention of every male employee.
Clyde would move in, almost invisible, rifle in hand, and rob the
unsuspecting teller. Before the staff knew it, this romantic duo
would be in their getaway car, riding in to the sunset, a little
richer.
This is an old con trick – sleight of
hand – distracting the victim from the prize, stealing before they
have a clue. The good con will take with the left hand, while the
right hand does the job – the
“mark” never the wiser.
Our recent feathered migrants do
exactly as the crooks and cons have done since antiquity.
Old Broken Wing will hop down the
ladder, one rung at a time, and waddle to the door of the house for
her morning feed. A morsel of meat is thrown out into the air,
dropping to the ground; down from the trees swoop Bonnie and Clyde.
Bonnie will jump on Broken Wing, over and over in an aggressive
manner. Clyde will then move in, taking the meat, and fly back into
the trees. Bonnie follows knowing the prize has been won. Broken Wing
is left with nothing – a victim of the oldest con in the world.
Post Script:
Currently, I have taken on the role of
Broken Wing’s body guard. The old bird will arrive for her
breakfast. She waits until the meat is tossed to the ground. Rather
than going back inside, I’ll stand at the door, watching the trees.
She finishes her breakfast, and I wait, ensuring she gets back to the
ladder, climbing up one rung at a time, and safe from the criminals
in the sky.
Winter has come Upon Us
Winter has come upon us – cold, rain,
and a little sunshine. Awoke late today to feel the home in a
miserable atmosphere. Weather does affect many people, more so, those
that have only known balmy skies and warm nights.
It is Saturday. I attended all the
chores required, and now in retrospect, in a somewhat robotic
fashion. I felt unwell, and only wanted to sit in my chair by the
fire and read.
My mother’s partner attended to the
birds today. He knows each of them by sight, talking to them as
individuals. I do not care anymore. I returned to my book.
In a half dream, my friend told me, her
beautiful eyes, “You come back, my friend.” Closing the book, I
had fallen to sleep and dreamt I was flying through the trees...
with her.
She has never returned.
End of a season with the birds.
Monday, 24 June 2019
Letters to Sartre - A Short Review.
As a life-long student of philosophy, the relationship between Simone De Beauvoir and Jean Paul Sartre, the most famous of the French existentialists', was a love affair of the heart, body and soul; one of the most infamous relationships of the 20th century.
These letters reveal a caring, loving Simone and her intellectual concerns between 1930 and 1963. What make these letters interesting are the many characters one meets in her novels are mentioned by their real names rather than their novelistic pseudonyms.
De Beauvoir is known more as one of the first driving forces for the ideals of Feminism, however, she was also a prize-wining novelist, political activist, philosopher and diarist. She also loved Sartre beyond measure.
The relationship between them, as written in the Introduction by De Beauvoir's daughter, was a "...notorious `morganatic union' allowing contingent loves." They had an `open relationship', one where other lovers were permitted yet they remained lifetime companions and lover's until Sartre's death in 1963.
What the letters also reveal, aside from her contemporaries actual names, was the couple's intellectual and relationship jealousies. As to there `self-created myth' of open relationship bliss, nothing could be farther from the truth...these jealousies existed.
As a professional writer, De Beauvoir wrote everyday. In one of her letters she mentions that one day during the week, she didn't have time to put pen to paper, she writes, "A day without writing tastes of ashes." She was an incessant scribbler, as her large body of work reveal.
Interestingly, as I've written somewhere before, reading letters, especially love letters, makes me feel like a violator or voyeur. That said, these letters are an important contribution to philosophical history, therefore, from an historical standpoint, that feeling of voyeurism is irrelevant.
If you are interested in the philosophy of existentialism and beautifully written love letters, (a vanishing art form) this text is highly recommended.
These letters reveal a caring, loving Simone and her intellectual concerns between 1930 and 1963. What make these letters interesting are the many characters one meets in her novels are mentioned by their real names rather than their novelistic pseudonyms.
De Beauvoir is known more as one of the first driving forces for the ideals of Feminism, however, she was also a prize-wining novelist, political activist, philosopher and diarist. She also loved Sartre beyond measure.
The relationship between them, as written in the Introduction by De Beauvoir's daughter, was a "...notorious `morganatic union' allowing contingent loves." They had an `open relationship', one where other lovers were permitted yet they remained lifetime companions and lover's until Sartre's death in 1963.
What the letters also reveal, aside from her contemporaries actual names, was the couple's intellectual and relationship jealousies. As to there `self-created myth' of open relationship bliss, nothing could be farther from the truth...these jealousies existed.
As a professional writer, De Beauvoir wrote everyday. In one of her letters she mentions that one day during the week, she didn't have time to put pen to paper, she writes, "A day without writing tastes of ashes." She was an incessant scribbler, as her large body of work reveal.
Interestingly, as I've written somewhere before, reading letters, especially love letters, makes me feel like a violator or voyeur. That said, these letters are an important contribution to philosophical history, therefore, from an historical standpoint, that feeling of voyeurism is irrelevant.
If you are interested in the philosophy of existentialism and beautifully written love letters, (a vanishing art form) this text is highly recommended.
Wednesday, 12 June 2019
Film: Arrival - A Short Review.
One looks at science fiction films in a certain way. Those unrelenting Marvel superhero movies are all the same. A marketable formula: man is down and out; discovers a new and extraordinary aspect of his person; enter the antagonist, a real and usually evil character; a subplot of a girl or woman the protagonist always has loved; once reaching his peak of power, the protagonist fights to the end, almost losing himself and his true love; ending, the antagonist is defeated, and by a pure miracle, his true love remains, with a passionate kiss. This works. Arrival is a different approach to Science fiction, dealing in love, language and time...
Rather than bore the reader with specifics of the actors and director, the story has remained with me for days.
This story examines time. Time not in a linear construct, but an existence of fluid time, where there is no beginning nor end, existence is, just is, and moves.
Based on an incredible short story by Ted Chang, "Story of my Life", examines what if, in time, knowing in the future you would experience a terrible tragedy, yet knowing this, carry on with life, acceptance and love of One..
To attempt a short narrative of the film would be a disservice to the reader.
A wonderful story and film.
Rather than bore the reader with specifics of the actors and director, the story has remained with me for days.
This story examines time. Time not in a linear construct, but an existence of fluid time, where there is no beginning nor end, existence is, just is, and moves.
Based on an incredible short story by Ted Chang, "Story of my Life", examines what if, in time, knowing in the future you would experience a terrible tragedy, yet knowing this, carry on with life, acceptance and love of One..
To attempt a short narrative of the film would be a disservice to the reader.
A wonderful story and film.
Saturday, 1 June 2019
Memoir: LA Diaries.. James Brown. Review.
There's something terribly disturbing about confessional writing. In the hands of a man or woman at the top of their craft, a writer of immense skill and transparency, the experience for the reader can border on the pathological.
Honesty, without the slightest hint of pretence, particularly from an experienced and intelligent individual, knowing full well that what they tell the world is deeply personal and the honest to goodness truth, is rare. There's always some other agenda. For example, the two most famous confessional pieces in world literature are St. Augustine's Confessions and Jean-Jacques Rousseau's The Confessions; both author's had an agenda in writing these works, whether for purposes of religious conversion or literary immortality - both achieved their respective ends.
Brown's book, however, is different.
This is a memoir about writing, addiction, alcoholism, relationships and human responsibility. It is about madness, suicide, compulsion, irony and love. This is a heartbreaking story that leaves the reader with a tiny glimmer of hope. As a true confessional does, it doesn't raise feelings of sympathy or thoughts of self-righteous condescension, but a real empathy, because we've all experienced, in varying degrees, this man's life.
One reads this simple, clear-eyed style of writing and thinks that it would be easy to imitate. Wrong. It appears simple but is awfully difficult to do. Brown's prose adds to the subject matter, making his family obsessions and chemical escapes much harsher, difficult to swallow, but in the end, inspiring and troubling..
The L.A. Diaries is a rare memoir because it is what it is and doesn't pretend to be anything else.
Brown is a fine writer and this work was a privilege to read.
Honesty, without the slightest hint of pretence, particularly from an experienced and intelligent individual, knowing full well that what they tell the world is deeply personal and the honest to goodness truth, is rare. There's always some other agenda. For example, the two most famous confessional pieces in world literature are St. Augustine's Confessions and Jean-Jacques Rousseau's The Confessions; both author's had an agenda in writing these works, whether for purposes of religious conversion or literary immortality - both achieved their respective ends.
Brown's book, however, is different.
This is a memoir about writing, addiction, alcoholism, relationships and human responsibility. It is about madness, suicide, compulsion, irony and love. This is a heartbreaking story that leaves the reader with a tiny glimmer of hope. As a true confessional does, it doesn't raise feelings of sympathy or thoughts of self-righteous condescension, but a real empathy, because we've all experienced, in varying degrees, this man's life.
One reads this simple, clear-eyed style of writing and thinks that it would be easy to imitate. Wrong. It appears simple but is awfully difficult to do. Brown's prose adds to the subject matter, making his family obsessions and chemical escapes much harsher, difficult to swallow, but in the end, inspiring and troubling..
The L.A. Diaries is a rare memoir because it is what it is and doesn't pretend to be anything else.
Brown is a fine writer and this work was a privilege to read.
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