There's something terribly disturbing about confessional writing. In the hands of a man or woman at the top of their craft, a writer of immense skill and transparency, the experience for the reader can border on the pathological.
Honesty, without the slightest hint of pretence, particularly from an experienced and intelligent individual, knowing full well that what they tell the world is deeply personal and the honest to goodness truth, is rare. There's always some other agenda. For example, the two most famous confessional pieces in world literature are St. Augustine's Confessions and Jean-Jacques Rousseau's The Confessions; both author's had an agenda in writing these works, whether for purposes of religious conversion or literary immortality - both achieved their respective ends.
Brown's book, however, is different.
This is a memoir about writing, addiction, alcoholism, relationships and human responsibility. It is about madness, suicide, compulsion, irony and love. This is a heartbreaking story that leaves the reader with a tiny glimmer of hope. As a true confessional does, it doesn't raise feelings of sympathy or thoughts of self-righteous condescension, but a real empathy, because we've all experienced, in varying degrees, this man's life.
One reads this simple, clear-eyed style of writing and thinks that it would be easy to imitate. Wrong. It appears simple but is awfully difficult to do. Brown's prose adds to the subject matter, making his family obsessions and chemical escapes much harsher, difficult to swallow, but in the end, inspiring and troubling..
The L.A. Diaries is a rare memoir because it is what it is and doesn't pretend to be anything else.
Brown is a fine writer and this work was a privilege to read.
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