I've
been following the work of Brit Marling and Zal Batmanglig for some
years. Their first co-written film, The East, focuses on a secret
community of Eco-terrorists. Brit plays an undercover agent, who
infiltrates the group. In Sound of my Voice, two budding documentary
film makers, Lorna (played by Nicole Vicious) and Peter (played by
Christopher Denham) infiltrate a mysterious cult, led by a
mesmerising woman (played by Brit Marling) who claims to be from the
future, the year 2054. Most recently, the Netflix hit,The OA, also
comes from the minds of Marling and Batmanglig, that explore near
death experiences (NDE's) and multiverse theory.
What
the viewer can gather from the back stories, Peter and Lorna were
required to “prepare” for the initial meeting with Maggie, the
cult leader. An involved secret hand had to be learned, as this
ritual is performed upon entering the basement before the meeting.
The couple are picked up from their home, handcuffed and blindfolded,
so as not to know the whereabouts of the cult house. Once they
arrive, are required to shower, and clean themselves thoroughly, as
Maggie is susceptible to disease, as she's from the future. Once the
initiates are seated cross-legged on the carpet, Maggie enters the
room dragging an oxygen tank behind her. Dressed in a sheet-like
smock, she sits and begins her story. One morning, she states, awoke
from a sleep while under water. She found herself face down in a full
bathtub. She gets out of the tub fully nude, not knowing who she is,
and where she's from. Walking the streets for weeks, Maggie depends
on the kindness of strangers to survive. A man hears about
the strange woman, who bears a tattoo on her ankle of a ship's anchor
and the number 54. This man takes her in, knowing she is a messenger
from the future. She tells the group the anchor represents the
“traveler”, and the number 54, the year she is from.
Marling as “Maggie” gives a believable performance,
almost creating an ambiance of danger and possible malice behind
those beautiful grey-blue eyes. She has the power to kick out any
cult member, which she does once, for the initiate insists on some
kind of proof that she says who she says she is. Because they are
stripped of everything, wearing only a sheet, Peter must divine a way
to get recording equipment into the basement to film Maggie. What he
invents to do this is quite ingenious, though he is almost caught,
causing the audience to feel anxious. This was an excellent
scene that reveals Batmanglig's skill as a director.
There
are scenes in the film which make no sense, only to connect as the
film unfolds. The ending leaves the audience with a few questions, pushing us to enter our interpretations.
The reviews were mixed because this was Marling and Batmanglig's first feature film. Some praised the film's
originality, and Marling's performance, though generally dissatisfied with the story's ending. Like most feature films, the
ending is usually tied up like a bow for the audience. In this case,
taking a risk leaves the audience to engage their own imaginations.
For
me, of course, loving art house films since a teenager, the ending
was a welcome surprise.
The
Sound of My Voice is worth a look at, even if only for its
refreshing originality.
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